Book Review: Drive
Just read Daniel H. Pink's Drive: The Surprising Truth About What Motivates Us and I really liked it. Four out of five stars... and the missing one is just that they didn't go into quite the depth I wanted them to go into.
I don't know why I wish there was more to this book, but I kind of do. Still, it is one of those books where it presents something very simple and not always intuitive and you go... huh. Why didn't I think of that before? Kind of... some of this I got intuitively, but having it spelled out logically was kind of nice.
The basic premise is that people have an intrinsic desire to do good work. That the old economic model of carrots and sticks can actually do harm in the case of jobs that require creativity, versus the old assembly line jobs that were just 'do a certain set of clear steps'. That money and bonuses beyond what they need to live and do what they want with their lives can actually destroy or depress that desire.
I mean... being retired, I know that money for work depresses my motivation to do that. I have absolutely no desire to write code anymore. Period. One thing I really liked was that the fact that we've kept our child's allowance as a completely independent thing from his chores was vindicated in spades by this. Allowance is good for money management. Chores are simply a way to learn how to live with others and do things the right way. This book's good about pointing out that if the allowance is contingent on the chores, then the chores become onerous, something you have to get *paid* to do. Which was the experience I had as a kid, which is why I won't clean a house to save my life, now. *laughs* I'll pay someone else to do it.
Interesting thing is being able to now apply what I've learned from this to my painting and my writing. That getting paid *after* the work is done, especially unexpectedly can only help motivation. So I may well avoid the path of commissions and just go with "buy what I have already done if you want." We'll see.
Anyway, I liked it, though I kind of found the 'exercises' in the back to be more perfunctory than I wanted.
I don't know why I wish there was more to this book, but I kind of do. Still, it is one of those books where it presents something very simple and not always intuitive and you go... huh. Why didn't I think of that before? Kind of... some of this I got intuitively, but having it spelled out logically was kind of nice.
The basic premise is that people have an intrinsic desire to do good work. That the old economic model of carrots and sticks can actually do harm in the case of jobs that require creativity, versus the old assembly line jobs that were just 'do a certain set of clear steps'. That money and bonuses beyond what they need to live and do what they want with their lives can actually destroy or depress that desire.
I mean... being retired, I know that money for work depresses my motivation to do that. I have absolutely no desire to write code anymore. Period. One thing I really liked was that the fact that we've kept our child's allowance as a completely independent thing from his chores was vindicated in spades by this. Allowance is good for money management. Chores are simply a way to learn how to live with others and do things the right way. This book's good about pointing out that if the allowance is contingent on the chores, then the chores become onerous, something you have to get *paid* to do. Which was the experience I had as a kid, which is why I won't clean a house to save my life, now. *laughs* I'll pay someone else to do it.
Interesting thing is being able to now apply what I've learned from this to my painting and my writing. That getting paid *after* the work is done, especially unexpectedly can only help motivation. So I may well avoid the path of commissions and just go with "buy what I have already done if you want." We'll see.
Anyway, I liked it, though I kind of found the 'exercises' in the back to be more perfunctory than I wanted.
no subject
I think I found my own cycle of self-denial with the whole fanfiction thing... that to be popular meant getting comments... not just hits, and when I started getting fewer and fewer comments, I just.... stopped.
When I finally got back on the Twin Souls bandwagon it was for the love of the story itself. Just like with Winter War... I loved the stories, and really, really wanted to just write Byakuya the way I felt he ought to be written. To be true to the character, not the way I knew fangirls *wanted* him portrayed. And it amuses me that once I disconnected from "writing for comments" that I got more comments on that Byakuya piece than I have on anything else.
Writing a book that can't be shown to anyone, can't get my ego fed online has been quite the experience. I loved it. I loved *doing* it. And I'm realizing I want to do more because I so enjoyed the experience of doing it itself. I might get paid, I might get popular, but I don't *care* as the writing, itself, was so sweet.
So I hear you...
I was writing to get my ego fed, and found it never fed me as much as I thought I wanted. But writing for the writing's sake has really helped me feel better about it than anything else has...
*laughs*
And, yes, to that last. I agree fully. I hope you get there!!
no subject
I'm not sure if I could write a total book without any feedback, unless I had a really Firm Idea. But writing it only for the feedback is disheartening, or writing something and not getting "enough" feedback is disheartening. (Where "enough" is a variable that depends on how invested I am in writing the thing in the first place. The less invested, the more feedback I need...)
no subject
I didn't realize, though, that just *one* person would be enough to get me through a whole novel, though. That was... an experience.
So. yeah... balance. I think with writing, which really has to have both a writer and a reader to make it *live*, there has to be some kind of feedback to make sure it's touches someone.
no subject
Feedback! Is important! Ivory towers need Internet! *grin*