Bleach, WTF?
Uhm. Right. I think that that is my general opinion as I'm catching up with the Bleach Manga as part of my preparation for Twin Souls. It does my heart some good to see a few things that we've done/planned for Winter War are backed up with what happens in canon, but... still... WTF?
I think I'm realizing that part of why I love One Piece so much is that Eiichiro Oda stays true to the characters and to the themes he sets from the very beginning. Every single HUGE REVEAL he's ever done fits into what has happened, characters don't do a 180 without some really solid visceral need/want/wish that stems from exactly what they've been all along. It's integral, it makes sense, and he sets the groundwork (or uses the stuff he DID to make up the new stuff in such a way that it *seems* like he set it all up to start) so early on that I can re-watch every episode AGAIN and go "Oh, wow, he knew THAT from this point HERE!!!"
All of which plays well with Robert McKee's idea of why the big reveal, that closing of the gap between what has happened and what caused it to happen, can be so darned satisfying and is kind of the gold at the end of the rainbow for storytellers. And why the unanchored/unconnected SURPRISE! can be so off-putting.
I think I'm realizing that part of why I love One Piece so much is that Eiichiro Oda stays true to the characters and to the themes he sets from the very beginning. Every single HUGE REVEAL he's ever done fits into what has happened, characters don't do a 180 without some really solid visceral need/want/wish that stems from exactly what they've been all along. It's integral, it makes sense, and he sets the groundwork (or uses the stuff he DID to make up the new stuff in such a way that it *seems* like he set it all up to start) so early on that I can re-watch every episode AGAIN and go "Oh, wow, he knew THAT from this point HERE!!!"
All of which plays well with Robert McKee's idea of why the big reveal, that closing of the gap between what has happened and what caused it to happen, can be so darned satisfying and is kind of the gold at the end of the rainbow for storytellers. And why the unanchored/unconnected SURPRISE! can be so off-putting.
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But the arc that has come after the Fullbring, the current one.... I gotta say, the first month or so of that left me seriously concerned that TK had just burned out, flamed out, or something - I'd often be reading it muttering to myself, "what kind of crack has this guy been smoking!?!" But as its gone on, it's slowly gotten better, at least IMO, and he does seem to be weaving all the myriad of loose (and crazy) threads into a semblance of order and reason - even if I don't always like or agree with some of his editorial decisions.
I've found myself ruminating on how relatively young he is,and how much of his adult life has been spent writing the series. I think he's a brilliant young man, with great imagination and some real flashes of insight about human nature. But I also think sometimes his lack of RL experience shows a bit, the fact that he's spent most of his time in a room imagining and capturing these other worlds and people, without enough time out in the world to learn how life (and sometimes, people and relationships) all really work. That's my thoughts on it, at any rate... he frustrates me sometimes, but I still remain fascinated, so he must be doing something right!
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I'll hope!!
But your observations about his youth and relative inexperience do feel right, too. He is brilliant, but some of that is missing...
Very cool to hear from a true believer, I'll keep the faith.
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It was good to see Kisuke. *grins*